I'm suspicious of gatekeepers because I am often denied entry.
So often I hear it's harder to make sense, speak clearly than speak/write cryptic. It's the old text/reader/writer (Mr. Aristotle's rhetorical triangle). Get rid of the writer and what does the shape become. A vertical line. Text to reader?
Intention is not always bad. It's too easily dismissed. The point is to keep things fluid to begin and begin and begin and begin with/in/between mystery and clarity.
There's a there there indeed. But the there shifts constantly and the reader must shift with it (as well as the writer). The there is not a location but consists of peddling wheres, many wheres. If anyone attempts to explain why one where is better than another where it is suspect (and must always continue shifting with the location that never exists except in it's shifting).
Is shifting enough? I tend to feel like shifting and velocity are important but as an end in themselves? Action pack it, sure. Jackson Pollack it, sure.
Then again the where has shifted since Jackson. That's the point. It's not enough to enact the difficulty of language to mean. In not meaning it must also mean.
Don't ask me how that happens.
I'm looking for mystery but not just any old mystery.
I tend to think audience is important. Sure, not to point of pandering. Or assuming to much. Or dismissing the possibility of creating an audience rather than fitting an audience that already exists (although I suppose the audience always already exists).
So, Mr. Aristotle won't go away. Does his wee triangle apply to poetry as well as newspaper articles? Sure the texts are different, but the relationship between text, reader, writer are still important to consider, right?
Information overload. I don't need one person, one canon.
Fourty critics need not agree, should not agree. Or if they agree they should not agree for the same reason(s). Difference in reviewing, not back slapping in the name of tenure, jolly good form, monkey back scratching.
How tired we all get.
Novelty never beats security.
Big slice to security, a sliver for novelty.
Alright, too much Nietzsche and Wittgenstein before coffee make me feel like making grand pronouncements. Who am I? I'm just a man typing on his keyboard trying to