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Based in North Carolina, The Lucifer Poetics Group is an affiliation of people interested in contemporary poetry with an emphasis on experimental, post-avant, and avant-garde poetics. For more information, to read the Lucipo archives, or to join the listserve, please visit:
http://lists.ibiblio.org/mailman/listinfo/Lucipo

Email me if you are interested in a copy of The Displayer ($3). Includes work by: Tim Botta, Amy Sara Carroll, Joseph Donahue, Patrick Heron, Maura High, Brian Howe, Tessa Jospeh, Aaron McCollough, Eden Osucha, Ken Rumble, Evie Shockley, Marcus Slease, Jon Thompson, Tony Tost, and Chris Vitiello.
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This review really hit it for me. I recently read Maurice Scully's _Livelihood_ and Geofrey Squires _Untitled and Other Poems_ is on deck (I love that baseball term. It is baseball, right?)

I think this is from The Nortre Dame review, but I found it via goofle (I mean google).


Another Ireland: Part Two
Maurice Scully, The Basic Colours. Durham, UK: Pig Press, 1994.
Geoffrey Squires, Landscapes and Silences. Dublin: New Writers' Press, 1996.
Catherine Walsh, Idir Eatortha and Making Tents. London: Invisible Books, 1996.

By Robert Archambeau

I began the first half of this article (Notre Dame Review #4) by mentioning some of the limits to the legendary hospitality Ireland has shown to its poets. If you arrive in Ireland from any point of departure outside of Eastern Europe, you will indeed find a public far more willing than the one you left behind to grant poets the recognition all but the most ascetic secretly crave. However, this hospitality has never extended to Irish poets w…