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literary history

I am still concerned about the conversion narrative (from school of quietude to avant garde). The problem is the narrative is too simplistic. But knowing where you're coming from doesn't have to be a bad thing does it? I am really enjoying the latest Chicago Review. The letters between Dorn and Jones (Baraka) are really fascinating. Shows how poets are in the times (not aiming for some religious eternal). The cuban missile crisis and Fidel and race.

I feel an affinity for the unaccomdating poetics of the historical avant garde. I also feel a little concerned about the watering down of the avant garde (I am not a purist though). I also feel excited by Mark Wallace's idea of multiplicty of forms. A re-evaluation of the past etc.

Anyway. off to teach for the second day. it's difficult to let go of summer.


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This review really hit it for me. I recently read Maurice Scully's _Livelihood_ and Geofrey Squires _Untitled and Other Poems_ is on deck (I love that baseball term. It is baseball, right?)

I think this is from The Nortre Dame review, but I found it via goofle (I mean google).

Another Ireland: Part Two
Maurice Scully, The Basic Colours. Durham, UK: Pig Press, 1994.
Geoffrey Squires, Landscapes and Silences. Dublin: New Writers' Press, 1996.
Catherine Walsh, Idir Eatortha and Making Tents. London: Invisible Books, 1996.

By Robert Archambeau

I began the first half of this article (Notre Dame Review #4) by mentioning some of the limits to the legendary hospitality Ireland has shown to its poets. If you arrive in Ireland from any point of departure outside of Eastern Europe, you will indeed find a public far more willing than the one you left behind to grant poets the recognition all but the most ascetic secretly crave. However, this hospitality has never extended to Irish poets w…