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Krispy Creme Poets

The memory of last Saturday feels foggy, eerie. Did it really happen?

Lots of glazed donuts (one dollar each). The Krispy Creme poetry tent was a wierd revival type setting.

Galway Kinnell read next tent to Maya Angelou (the official poet of Krispy Creme)? I was most excited to see his new G4 titanium powerbook. He wasn't sure how to use it. He had some assistance from a beautiful woman with long blond hair and a muscle man who runs some writing programme in Prague (they were both poets from the audience). The muscleman scrolled and the beautiful woman held the titanium G4 Powerbook.

Check out the pics taken by my friend Ezra (the very Ezra of Backwards City):


Richard jackson also read. He's created/creating a bridge between Slovenian and American poetry.


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I think this is from The Nortre Dame review, but I found it via goofle (I mean google).

Another Ireland: Part Two
Maurice Scully, The Basic Colours. Durham, UK: Pig Press, 1994.
Geoffrey Squires, Landscapes and Silences. Dublin: New Writers' Press, 1996.
Catherine Walsh, Idir Eatortha and Making Tents. London: Invisible Books, 1996.

By Robert Archambeau

I began the first half of this article (Notre Dame Review #4) by mentioning some of the limits to the legendary hospitality Ireland has shown to its poets. If you arrive in Ireland from any point of departure outside of Eastern Europe, you will indeed find a public far more willing than the one you left behind to grant poets the recognition all but the most ascetic secretly crave. However, this hospitality has never extended to Irish poets w…