Skip to main content

final desert city reading (for 2005!)

Lee Ann Brown and Carl Martin read last night to wrap the 2005 Desert City reading series. Carl Martin read first:

rich sounds, density, surrealist touches, a head well squared on the body.

I am was really impressed with the consistent quality of Carl Martin's work. He read from his first book (the title of which I forget on this pre-coffee morning) as well as Genii Over Salzburg. It was pure delight for the emotion thinking complex.

Lee Ann Brown's singing was interesting (her signature reading strategy). We sang along about breaking new ground. I think what interests me the most about the singing strategy is how it reconfigures the audience. We switched from mostly individual ingestion (hm and huh and ah) to more overt collective ritual sharing via chrous singing.

I also picked up a few books while I was in Chapel Hill:

1) Robert Creeley's 30 Things (with Monoprints by Bobbie Creeley)

2) Bruce Andrew's Give Em Enough Rope

3) Tristan Tzara's Seven DADA Manifestos and Lampisteries (translated by Barbara Wright)

4) David Meltzer's Beat Thing

Also got Geraldine Monk's Interegnum in the mail. It's "about" witches and England and history and spells and chants. I am excited to dig into it.

Check out this reading spot:

Morden Tower

Comments

Popular posts from this blog

poets reading poets

There are on A now: Andrews, Antin, Apollinaire, Ashbery


A project from the Atlanta Poetry Group. Check it:

http://atlantapoetsgroup.blogspot.co.uk/

The Poetry of Tao Lin

Another Ireland by Robert Archambeau

This review really hit it for me. I recently read Maurice Scully's _Livelihood_ and Geofrey Squires _Untitled and Other Poems_ is on deck (I love that baseball term. It is baseball, right?)

I think this is from The Nortre Dame review, but I found it via goofle (I mean google).


Another Ireland: Part Two
Maurice Scully, The Basic Colours. Durham, UK: Pig Press, 1994.
Geoffrey Squires, Landscapes and Silences. Dublin: New Writers' Press, 1996.
Catherine Walsh, Idir Eatortha and Making Tents. London: Invisible Books, 1996.

By Robert Archambeau

I began the first half of this article (Notre Dame Review #4) by mentioning some of the limits to the legendary hospitality Ireland has shown to its poets. If you arrive in Ireland from any point of departure outside of Eastern Europe, you will indeed find a public far more willing than the one you left behind to grant poets the recognition all but the most ascetic secretly crave. However, this hospitality has never extended to Irish poets w…