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Godzenie has been revised. Revisited. rethought. Things taken and things added and things shuffled. Four sections:

1) Wonderland (Seoul, South Korea)

2) Block 7A (Zory, Poland)

3) Hotel Diament (Jastrzebie, Poland)

4) Return to the City (Katowice, Poland)

Some poems fit nicely from North Carolina days into Block 7A as well.

Three individual poems to kick it off then four serial poems (Wonderland, Block 7A, Hotel Diament, Return to the City).

Finally, many years in the making, a mature manuscript is ready.

disjunctive narratives, eliptical lyrics, poetry and place, poetry and the foreign, poetry and the eye, poetry minded.

voice is not a static value

I am exhausted. Need to find food.


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This review really hit it for me. I recently read Maurice Scully's _Livelihood_ and Geofrey Squires _Untitled and Other Poems_ is on deck (I love that baseball term. It is baseball, right?)

I think this is from The Nortre Dame review, but I found it via goofle (I mean google).

Another Ireland: Part Two
Maurice Scully, The Basic Colours. Durham, UK: Pig Press, 1994.
Geoffrey Squires, Landscapes and Silences. Dublin: New Writers' Press, 1996.
Catherine Walsh, Idir Eatortha and Making Tents. London: Invisible Books, 1996.

By Robert Archambeau

I began the first half of this article (Notre Dame Review #4) by mentioning some of the limits to the legendary hospitality Ireland has shown to its poets. If you arrive in Ireland from any point of departure outside of Eastern Europe, you will indeed find a public far more willing than the one you left behind to grant poets the recognition all but the most ascetic secretly crave. However, this hospitality has never extended to Irish poets w…